What is your favourite thing about yourself?
I’m a classic
introvert with low self-confidence, and so, it would be easy for me to say I
don’t have a favourite thing about myself! But, I’m always proud of my
risk-taking. I have a fear of flying but will still get on an airplane to
travel. I hate large crowds but will still march in demos. I always feel ill on
rollercoasters but will still try them once. And I apply that risk-taking to my
writing. Everyone told me not to write a Regency romance, in fact, one
well-known publisher told me flat-out they would never buy a Regency from me,
but that if I would write them a novel set during the British Raj, they’d be
happy to take it. But I wanted to write a Regency, and I took a risk that
someone else might want to read it too. So yes, I’m proud of my risk-taking.
Although is it too
late to add that I also really do love my hair?
What do you wish you’d known before you started
writing?
Oh, this is easy. I
wish someone had told me that writing wasn’t
easy. When I was thirteen and fourteen my friends and I would pretty much
inhale ‘Sweet Valley High’ and ‘Sweet Dreams’ romance novels straight from the
printing press. And I would read them and think, ‘wow, these books must be so
simple to write!’
But actually, getting
a solid plotline, believable romance, well-defined characters and doing so all
within a 50,000 word limit… wow. I take my hat off to great writers like Janet
Quin-Harkin, Marian Woodruff and Barbara Conklin. It’s been over twenty years
since I first read their work and I’m still wishing I could write romance half
so well as they do.
Share a romantic moment in your life.
I should mention my
husband here, but I won’t, because we have our HEA and its often the stories
without a HEA that are the most interesting. So, instead, I’ll tell you about a
boy I met when I was seventeen. It was the beginning of summer, and I went to a
University open day. It was for an odd, mostly unpopular course, and I was one
of only two people there interviewing for it. He, of course, was the other. We
ended up spending the day together, looking around the campus and having lunch
together, before going to different colleges for the evening meal and overnight
stay. But we both ditched our respective schedules set by the university to
meet up again later that night. We ended up in this cosy little pub under a
castle telling each other stories and listing our respective fears and desires
until well after one in the morning, and he gave me a kiss- my first kiss- by
the river before we said goodbye. We talked about staying in touch but we both
knew that evening wasn’t the start of a great romance for either of us… it was
simply two young people, sharing a romantic moment, before disappearing off
into adulthood. It was perfect as it was, and completely untainted by angst or
drama. Sometimes I still think of him, and hope he is as happy as I am.
Is there one subject you’d never write about as
an author? What is it?
You know, I’m fairly
open to writing anything. I’ve always found writing to be an outlet for emotion
and processing life experience, and there hasn’t been any particular subject
yet I’ve found too painful to write. Even losing a baby, which I have, I’ve
still managed to put down on paper, and I’m more at peace with that for having
done so. But there is a sub-genre I won’t touch, and that is the ‘soulmarked
soulmates’ trope. It’s a terribly romantic concept, the idea that one touch
between two destined people results in a mark that binds them for life… but I
don’t find it a particularly interesting one. For one thing, having a soul mark
negates any choice the couple make. What I love about romance is that a HEA
isn’t always necessarily on the cards. I like to see the couple get put through
their paces, I like to see the resolution to their conflict. I like to see them
make each other their choice. But if
that choice is taken from them?... Well, it’s just not for me.
Do you have any suggestions to help someone
become a better writer? If so, what are they?
Read.
Read, read, read and
then read some more. I always find the best writers are also voracious readers.
And read whatever takes your interest… because reading a Booker prize winner
won’t make you a better writer than reading a mass-market paperback if the
story doesn’t capture your imagination. My favourite books, the ones which-
should my house ever burst into flames- I would rescue before anything else
(obviously this doesn’t include my husband, babies or fur-babies!) are
generally old romance novels that weren’t bestsellers, weren’t award winners
and weren’t remembered as time went by. But I love them still. And I read them
all, once a year, and study their styles and word use.
A writer who doesn’t
read is like a chef who doesn’t eat.
If you could be the original author for any
book, what would it be? Why?
This is such a hard
question for me, because my list of well-loved books is unspeakably long
(almost as long as my TBR pile!). But ultimately, the Emily series by L.M Montgomery takes the crown. I know Montgomery
is best known for Anne of Green Gables, and I love that story too… but Emily
(insert wistful sigh here)… Emily is perfection. Emily Starr goes on a journey
from awkward orphan to awkward writer, in a story set over a period of around
fourteen years. During that time she learns hard lessons from friends and
family, unearthing family secrets and learning just who she is and who she
wants to be. And of course, she has two romances… one with an older man who
covets her youth and vibrancy, and one with the quiet boy who simply wants her
heart. I won’t spoil the ending, but I have thoughts on it, and if anyone wants
to talk Emily with me please get in
touch!
What did you do growing up that got you into
trouble?
I have three sisters,
and honestly, if I started telling you all the things we did that greyed my
parents hair (or in my Dad’s case, made him lose every strand entirely) we
could be here all night! I could mention the monopoly issue that has put me on
a permanent ban from that game (I am ruthlessly competitive), or I could talk
about the time I dyed my hands green. I could mention decapitating my older
sister’s barbie in revenge for her lopping the hair off of one of mine, or I
could talk about the day I bit my younger sister in the pool hard enough to
leave a mark (to be fair, she was trying to drown me at the time). But you know
what? The things I got caught for are funny, but it’s the things I didn’t get caught for which are the
really interesting bits.
If I came to your house for dinner what would
you prepare for me? Why?
To be honest, it all
depends on how much I like you. You see, when my friends come over for dinner,
I tend to be myself. I’ll cobble together old favourites, or complete
experiments that may or may not go well. One friend who came to dinner recently
got served a vegan green curry made with tofu and rice noodles, and bless her,
she ate about half before pushing it away. Another time a friend came over and
I made her egg and vegetables served in a vegetarian aspic (as bad as it
sounds), and another friend was once served something she still refers to (with
muted horror) as ‘the pink’ (it was meant to be a marshmallow pie. It did not
go well.)
But if I don’t know
you well, or am just starting to know you, I’ll probably be less relaxed and
more strident in my cooking.
So, if ever you come
to my house and I serve you high cuisine… I probably don’t know you that well.
But come to my house and I offer you vegan jelly and or cinnamon soup? You’re
probably my best friend.
Like forbidden fruit, forbidden love is more sweet…
It’s 1803 and widowed aristocrat Sophy De Browarec must flee France after being exposed as an undercover British agent. Fearing for her life, she returns to Cornwall to seek help from the only living link to her past, Fitzwilliam ‘Fitz’ Ravensbourne.
Lord Ravensbourne has suffered his own share of misfortune and it’s left its mark in more ways than one. He has become a near recluse at the Ravensbourne Estate, but still reluctantly accepts Sophy into his home.
Lord Ravensbourne has suffered his own share of misfortune and it’s left its mark in more ways than one. He has become a near recluse at the Ravensbourne Estate, but still reluctantly accepts Sophy into his home.
Sophy and Fitz’s relationship is strained and her return could bring danger to Ravensbourne – but there is something that prevents Fitz from casting her out, something almost forbidden ...
BUY: https://www.amazon.co.uk/Marked-Lord-Choc-Lit-unputdownable-ebook/dp/B07K6TGKB1/ref=sr_1_1_twi_kin_1?ie=UTF8&qid=1550829876&sr=8-1&keywords=the+marked+lord
BIO:
BUY: https://www.amazon.co.uk/Marked-Lord-Choc-Lit-unputdownable-ebook/dp/B07K6TGKB1/ref=sr_1_1_twi_kin_1?ie=UTF8&qid=1550829876&sr=8-1&keywords=the+marked+lord
BIO:
By day, Sharon mothers two smalls, watching more Peppa Pig than can possibly be healthy and consuming vast quantities of coffee. By night she writes historical romance novels, complete with ripped bodices and perfect saddle muscles, while drinking wine. Her first novel, ‘The Marked Lord’ is published by Choc Lit. She lives in London with her husband, children and two cats.
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