Many
readers assume a novelist has all their characters established and ready to go
BEFORE they start writing. This is rarely the case for me.
I
write Victorian romance for eKensington and contemporary romance and romantic
suspense for Harlequin Superromance. All the books are linked through the
characters and the setting…although I consciously write each book so they can
be read stand-alone.
The
link came because as I wrote THE SEDUCTION OF EMILY (Victorian) and FINDING
JUSTICE (Harlequin), the two debuts in my series, secondary characters appeared
that were in danger of taking over the story. I knew these characters would
need their own book if they were to be silenced.
So
as lucky as I am to have the hero and heroine more or less established for my
next book, new characters continue to appear whether I wanted them in the story
or not. I’m a plotter and tend to write a full-length synopsis and chapter plan
before I start to write. Both the synopsis and chapter plan will only feature
the hero, heroine and villain, if I have one.
There
is no mention of any secondary characters or other characters from previous
books at this stage.
Yet,
lo and behold, a new or old character will nudge their way into the book as I
write. The more vocal they are, or the easier they are to write whenever they
appear on the page, leads me to know pretty quickly how long, or how often,
they will appear in subsequent books.
I
love it when a character appears unexpectedly because it means I am truly
listening to the characters and letting the story flow how it’s supposed to be
told rather than how I THOUGHT it should be told. A wholeheartedly believe an
author has to have a certain amount of trust in her characters for a story to
read authentically and realistically.
In
romance, characters drive the story rather than the plot, so it’s vital that
the characters are understandable, even if not always likeable.
Characterisation
is key – always!
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